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Designers/publishers containing 'no' (most fonts first):

  24 of 94  

Dino dos Santos
Panos Vassiliou
Monotype Staff
Linotype Staff
Noel Rubin
Benoit Desprez
Aldo Novarese
Mário Feliciano
Noah Rothschild
Ramiz Guseynov
Ellinor Maria Rapp
Frank Baranowski
Bruno Maag
Linotype Design Studio
Fabrizio Gilardino
Arno Drescher
Frank Marciuliano
Matthew Napolitano
Jarno Lukkarila
Pierluigi Portolano
Maximiliano Sproviero
Norbert Reiners
Unknown
Olivera Stojadinovic
Örjan Nordling
G. da Milano
María Angelica Estrada Cano
Georges Peignot
Dan Reynolds
Robert Norton
Ramiro Espinoza
Louis Minott
Arjen Noordeman
Teeranop Wangsillapakun
Slobodan Miladinov
James Montalbano
Weselin Stojanow Rakow
Bruno Tricot
Manoel de Andrade de Figueiredo
Theo Nonnen
Shana Hu
Caroline Hadilaksono
Pilar Cano
Peter Schnorr
Tad Biernot
Sam Gambino
Tnop
Bruno Grasswill
Felix Lentino
Peter Matthias Noordzij
Luciano Vergara
Dariusz Novak-Nova
Jean Jannon
Manolo Guerrero
Ed Milano
Dmitry Kirsanov
North Design
Dino Sanchez
Gaynor Goffe
Christoph Noordzij
Albert Kapitonov
Stefano Arcella
Vera Chiminova
Arno Asmus
Maximiliano Giungi
André Nossek
Sage Reynolds
Gerrit Noordzij
Sergey Epifanov
Dug Novak
Onno Schaap
Dusko Trifunovic
Leonore Poth
Hanno Bennert
Eli Castellanos
Robert Arnow
Max Franosch
Umberto Fenocchio
Ryuichi Tateno
Conor Mangat
Juan Montoreano
Bruno Seuchter
Felix Arnold
Krzysztof Kochnowicz
Pepe Gimeno
Sebastiano Castiglioni
Vernon Adams
Marie-Cécile Noordzij-Pulles
Lisa Knoll
Greg Knoll
Vasil Stephanov
Dmitry Bazhanov
Monotype Corp.
Christina Economidou

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Olivera Stojadinovic

Olivera Stojadinovic began her higher education, studying mechanical engineering at technical college. However, when she discovered art was her true passion, she gave up her engineering degree to enrol at the Faculty of Applied Arts in Belgrade. She studied lettering, printmaking and calligraphy, and graduated with honours in 1985.

She joined the Center for Art and Scientific Research at the University of Arts in Belgrade. Her earlier engineering interest proved useful in mastering computer-aided typeface design. She was part of a team researching the origins of the Serbian Cyrillic alphabet and developing new Cyrillic typefaces.

Working with small publishing houses, she created a special series of "Masterpiece" books. She designed a set of initial letters for each book. The first fonts were Cyrillic alphabets, but she later created Latin ones too: ITC Aspera, ITC Rastko, and ITC Hedera. She has worn international awards and her work has been exhibited in many countries. Currently, she is a professor at the Faculty of Applied Arts, teaching typeface design and typographic history.

[LC, December 2009]

Fonts designed by Olivera Stojadinovic