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Differences

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Harry

Harry

Touches
The upper-case 'Q' tail touches the circle.
Closed
The '&' (ampersand) is traditional style with two enclosed loops.
Round
The top storey of the '3' is a smooth curve.
Meets
The centre bar of the upper-case 'P' meets the vertical.
No bar
The upper-case 'G' has no bar.
Tapered
The upper-case 'A' has tapered verticals.
Flat
The right side of the upper-case 'G' has a flat section.
Meets both
The centre bar of the upper-case 'H' meets both verticals.
Vertex
The centre strokes of the upper-case 'W' meet at a vertex.
Meets both
The bar of the upper-case 'A' meets both verticals.

Note that the fonts in the icons shown above represent general examples, not necessarily the two fonts chosen for comparison.

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Bauhaus 93

Bauhaus 93

Crosses
The upper-case 'Q' tail crosses the circle.
Open
The '&' (ampersand) is traditional style with a gap at the top.
Angled
The top storey of the '3' is a sharp angle.
Gap
The centre bar of the upper-case 'P' leaves a gap with the vertical.
Left
The upper-case 'G' has a bar to the left.
Parallel
The upper-case 'A' has parallel verticals.
Curved
The right side of the upper-case 'G' is curved.
Gap right
The centre bar of the upper-case 'H' leaves a gap with the right vertical.
Trident
The centre strokes of the upper-case 'W' form one centre stroke.
Gap right
The bar of the upper-case 'A' leaves a gap with the right vertical.