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Differences

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EF Bernhard Gothic

EF Bernhard Gothic

Touches
The upper-case 'Q' tail touches the circle.
Gap top
The '&' (ampersand) looks like 'Et' with a gap at the top.
Single
The diagonal strokes of the upper-case 'K' meet at the vertical (with or without a gap).
Above
The centre vertex of the upper-case 'M' is above the baseline.
Round
The top storey of the '3' is a smooth curve.
Missing
The top of the lower-case 'q' has no spur or serif.
Open
The centre bar of the upper-case 'R' leaves a gap with the vertical.
Horizontal
The lower-case 'e' has a straight horizontal bar.
Curved
The right side of the upper-case 'G' is curved.
Left
The tail of the lower-case 'y' is curved or U-shaped to the left.

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Note that the fonts in the icons shown above represent general examples, not necessarily the two fonts chosen for comparison.

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Arnold Samuels

Arnold Samuels

Crosses
The upper-case 'Q' tail crosses the circle.
Closed
The '&' (ampersand) is traditional style with two enclosed loops.
Double
The diagonal strokes of the upper-case 'K' meet in a 'T'.
Baseline
The centre vertex of the upper-case 'M' is on the baseline.
Angled
The top storey of the '3' is a sharp angle.
Spur
The top of the lower-case 'q' has a vertical or slightly angled spur (pointed or flat).
Closed
The centre bar of the upper-case 'R' meets the vertical.
C-bar
The lower-case 'e' is drawn as a 'c' with a bar.
Flat
The right side of the upper-case 'G' has a flat section.
Straight
The tail of the lower-case 'y' is substantially straight.