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Differences

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Bernhard Modern (URW)

Bernhard Modern (URW)

Touches
The upper-case 'Q' tail touches the circle.
Gap top
The '&' (ampersand) looks like 'Et' with a gap at the top.
Below
The upper-case 'J' descends below the baseline.
Single
The diagonal strokes of the upper-case 'K' meet at the vertical (with or without a gap).
Round
The top storey of the '3' is a smooth curve.
Left
The top of the upper-case 'A' has a serif or cusp on the left.
Open
The centre bar of the upper-case 'R' leaves a gap with the vertical.
Four
The top of the upper-case 'W' has four upper terminals.
S22
The feet of the lower-case 'h' have two serifs on each foot.
No gap
The lower storey of the lower-case 'g' has no gap.

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Note that the fonts in the icons shown above represent general examples, not necessarily the two fonts chosen for comparison.

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Solid Antique Roman

Solid Antique Roman

Crosses
The upper-case 'Q' tail crosses the circle.
Open
The '&' (ampersand) is traditional style with a gap at the top.
On
The upper-case 'J' sits on the baseline.
Double
The diagonal strokes of the upper-case 'K' meet in a 'T'.
Angled
The top storey of the '3' is a sharp angle.
None
The top of the upper-case 'A' has no serifs or cusps.
Closed
The centre bar of the upper-case 'R' meets the vertical.
Three
The top of the upper-case 'W' has three upper terminals.
S2R
The feet of the lower-case 'h' have two serifs on the left and one on the right.
Gap
The lower storey of the lower-case 'g' has a gap.