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SULLY-JONQUIERES ND

Sully-Jonquières is Mendoza’s most original calligraphic alphabet. It was commissioned by the French publisher Henri Jonquières. Its characters are based on the shape of cursive letters. Its range of possible usages are very varied: signage, headlines, packaging, etc. It brings personality and elegance to any design.

Sully-Jonquières is a trademarks of BauerTypes SL

DOWNLOAD SPECIMEN


2 INDIVIDUAL STYLES

Available for DESKTOP | WEB | APP | ePub | SERVER | OEM licences

LICENSES

DESKTOP

The Desktop license allows you to install the fonts on the number of computers (CPU’s) for which the license has been purchased and use them in the programs installed on the computer. It allows you to create documents, static images, presentations or layouts for printing or publishing.

LICENCIA EULA

WEB

The web license allows you to use the fonts in web environments, in the purchased domains and for a period of time that will be renewed at the end of the contract. The range of use depends on the number of web users, number of visits, server or domains, among other variables.

LICENCIA EULA

OEM license

An individual OEM product license with licensing contract (stipulated by NDA [non-disclosure agreement]). This license is required for products in which the typographic software (fonts or parts of the fonts) is combined with hardware or software created or programmed by the OEM, such that it appears as its own product.


APP

The mobile apps license permits integration of fonts on the iOS, Android, and Windows RT platforms. Each license is specific to a single platform and is valid for the application’s entire lifespan. Acquiring new licenses is not necessary for free updates, If the font is not integrated directly in the app, for example if it is used to create a static image, you will need a desktop font license.


ePub

The electronic publications license permits integrating a font into electronic documents such as e-books or electronic magazines or newspapers. Each license is valid for a single title, for the duration of its functional lifespan. If the font is not integrated directly into the electronic publication, for example if it is used to create a static image such as the cover of an e-book, you will need a desktop font license.

SERVERs

The server license permits installation of fonts on servers accessible to remote users and webpage visitors. Users must not download typographical data or use it outside of the server. The font should not be used on a SAAS (software as a service) application, where the service is in fact the product, rather than the medium used. A server license covers a specific number of production servers on which the font is installed.

third parties

This license allows you to share the typography with co-agents, advertising or branding agencies, developers or other external collaborators. This will be a desktop license and the range will depend on the number of computers required.

COMmERCIAL

Although it may seem confusing, a commercial license is nothing more than a distribution license for products that, in their design, the licensed typography provides a differential value. Products such as clothing, merchandising or packaging, are considered to need a separate license because of the differential value that the typography can provide

digital marketing

This license allows you to publish marketing actions at a digital level, including ads on social networks, automated campaigns and other advertising elements. The rank depends on the number of impacts of the campaign. The own social media publications use a separate license.

About our licences
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ABOUT

ose Mendoza y Almeida was born in 1926 in the city of Sèvres, Paris. He is a French graphic designer, calligrapher and type designer. He has created fonts like Mendoza, Photina, Pascal, Fidelio and Sully Jonquières. In the 50s he worked with Maximilien Vox, and from 1954 to 1959 he was a assistant of Roger Excoffon within the Olive foundry in Marseille.

After working for Lettergieterij Amsterdam, Monotype Corporation or the International Typeface Corporation (ITC), he was professor of typography at the Imprimerie Nationale in Paris from 1985 to 1990.

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Copyright © 2022 Bauer Types, S.L. | All rights reserved