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Enduro Condensed

Styles

LightBuy from €70Light ItalicBuy from €70SemiLightBuy from €70SemiLight ItalicBuy from €70RegularBuy from €70ItalicBuy from €70MediumBuy from €70Medium ItalicBuy from €70SemiBoldBuy from €70SemiBold ItalicBuy from €70BoldBuy from €70Bold ItalicBuy from €70BlackBuy from €70Black ItalicBuy from €70HeavyBuy from €70Heavy ItalicBuy from €70

Specimen

In a traditional time‑keeping enduro, riders leave together in groups or rows, and each row starts at a certain minute. The object of the event is to arrive at pre‑defined checkpoints according to a strict schedule.
Long-Distance Trails
The race is a one-day long-distance running contest for both sexes which has individual and national team aspects. The host for the event changes on an annual basis, with the minimum requirements for the challenge being that the course is no longer than 45 kilometres (28 mi) in distance, includes an uphill ascent of at least 1.6 km (1 mile), and has a rough duration of between one hour and forty-five minutes and four hours for the elite men. The challenge does not take place on specially-made courses, but rather it is incorporated into pre-existing, traditional races.
The race is a one-day long-distance running contest for both sexes which has individual and national team aspects. The host for the event changes on an annual basis, with the minimum requirements for the challenge being that the course is no longer than 45 kilometres (28 mi) in distance, includes an uphill ascent of at least 1.6 km (1 mile), and has a rough duration of between one hour and forty-five minutes and four hours for the elite men. The challenge does not take place on specially-made courses, but rather it is incorporated into pre-existing, traditional races.
The race is a one-day long-distance running contest for both sexes which has individual and national team aspects. The host for the event changes on an annual basis, with the minimum requirements for the challenge being that the course is no longer than 45 kilometres (28 mi) in distance, includes an uphill ascent of at least 1.6 km (1 mile), and has a rough duration of between one hour and forty-five minutes and four hours for the elite men. The challenge does not take place on specially-made courses, but rather it is incorporated into pre-existing, traditional races.
The race is a one-day long-distance running contest for both sexes which has individual and national team aspects. The host for the event changes on an annual basis, with the minimum requirements for the challenge being that the course is no longer than 45 kilometres (28 mi) in distance, includes an uphill ascent of at least 1.6 km (1 mile), and has a rough duration of between one hour and forty-five minutes and four hours for the elite men. The challenge does not take place on specially-made courses, but rather it is incorporated into pre-existing, traditional races.
The race is a one-day long-distance running contest for both sexes which has individual and national team aspects. The host for the event changes on an annual basis, with the minimum requirements for the challenge being that the course is no longer than 45 kilometres (28 mi) in distance, includes an uphill ascent of at least 1.6 km (1 mile), and has a rough duration of between one hour and forty-five minutes and four hours for the elite men. The challenge does not take place on specially-made courses, but rather it is incorporated into pre-existing, traditional races.
The race is a one-day long-distance running contest for both sexes which has individual and national team aspects. The host for the event changes on an annual basis, with the minimum requirements for the challenge being that the course is no longer than 45 kilometres (28 mi) in distance, includes an uphill ascent of at least 1.6 km (1 mile), and has a rough duration of between one hour and forty-five minutes and four hours for the elite men. The challenge does not take place on specially-made courses, but rather it is incorporated into pre-existing, traditional races.

Information

Design

Emmanuel Besse

Team

Marion Sendral
Ilya Ruderman
Yury Ostromentsky
Hugues Gentile

Version

1.003
Download PDF Specimen

About this font

Crude and raw, Enduro is meant for all-terrain conditions. Emmanuel Besse’s vision of an industrial grotesk is available in three widths.

Enduro is notably straightforward, and nothing if not energetic. In just three widths, Enduro moves from compressed and methodical to open and colloquial. As those widths move from rectangles to ovals, new personalities are revealed as possibilities. Because Enduro manages to be engaging at nearly all sizes, it’s perfect for new branding systems. Its shapes are distinct enough to be logo-worthy; coupling the aforementioned widths with seven weights of each gives any new project a jolt. With 44 styles, Enduro will withstand many tough conditions. It is ready for action straight out of the box, putting any design in the zone and atop the podium.

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Abaza, Acheron, Achinese, Acholi, Adyghe, Afar, Afrikaans, Aghul, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Andi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Avaric, Balinese, Bari, Bashkir, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Belarusian, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Budukh, Buginese, Candoshi-Shapra, Caquinte, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamalal, Chamorro, Chavacano, Chechen, Chiga, Chiltepec Chinantec, Chinese Buriat, Chokwe, Chuukese, Chuvash, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Crimean Tatar, Croatian, Czech, Danish, Dargwa, Dehu, Dungan, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Erzya, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Galician, Ganda, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Halh Mongolian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Ingush, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, Judeo-Tat, K'iche', Kabardian, Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kalmyk, Kamba (Kenya), Kaonde, Karachay-Balkar, Karelian, Kashubian, Kazakh, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kirghiz, Kituba (DRC), Komi-Permyak, Komi-Zyrian, Kongo, Konzo, Kuanyama, Kumyk, Kven Finnish, Kölsch, Ladin, Ladino, Lak, Latgalian, Lezghian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Macedonian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Moksha, Mongolian Buriat, Montenegrin, Munsee, Murrinh-Patha, Muslim Tat, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nogai, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Orma, Oroqen, Palauan, Paluan, Pampanga, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pohnpeian, Polish, Portuguese, Potawatomi, Quechua, Romanian, Romansh, Rotokas, Rundi, Russian, Russian Buriat, Rusyn, Rutul, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tabassaran, Tagalog, Tahitian, Taita, Tajik, Tatar, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tsakhur, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tuvinian, Tzeltal, Tzotzil, Uab Meto, Udi, Ukrainian, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zulu, Záparo

About the designers

  • Emmanuel Besse

    Designer

    Emmanuel Besse is an art director and a type designer with a focus to open-ended and inclusive approach to communication.
    View full profile

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­

off

Standard Ligatures

fichier flicker affliger ­

off

Slashed Zero

0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Superscript

H012345679 ­

off

Scientific Inferiors

H012345679 ­

off

Numerators

H012345679 ­

off

Denominators

H012345679 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o NO No Nº N° nO no nº n° ­

off

Ornaments

+ − ± × ÷ = < > ­

off

Stylistic Set 1

012345678910 ­

off

Stylistic Set 2

012345678910 ­

off

Stylistic Set 3

<>+−×÷=± ­

off

Stylistic Set 4

abcdef ­

off

Stylistic Set 5

ДЛвгджзийклптцчшщъью ­

off

Stylistic Set 6

б ­

off

Discover the Enduro family

  • Enduro

    14 styles: Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Black, Black Italic

  • Enduro Narrow

    14 styles: Light, Light Italic, SemiLight, SemiLight Italic, Regular, Italic, Medium, Medium Italic, SemiBold, SemiBold Italic, Bold, Bold Italic, Black, Black Italic

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    Useful type with an edge.

    Useful type with an edge.

    Production Type provide retail as well as dedicated creative services in typeface design for brands.

    Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
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