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Trianon Caption

Specimen

Photoreceptors
Monet, Sisley and Pissarro may be considered the “purest” Impressionists, in their consistent pursuit of an art of spontaneity.
The Impressionists’ style, with its loose, spontaneous brushstrokes, would soon become synonymous with modern life.
The term Impressionist quickly gained favour with the public. It was also accepted by the artists themselves.
Henri Lazarof
French painters who prepared the way for Impressionism include the Romantic colourist Eugène Delacroix; the leader of the realists, Gustave Courbet; and painters of the Barbizon school such as Théodore Rousseau.
The Impressionists learned much from the work of Johan Barthold Jongkind, Jean-Baptiste-Camille Corot and Eugène Boudin, who painted from nature in a direct and spontaneous style that prefigured Impressionism.
STRUCTURAL Conventional LANDSCAPES Locomotive PRECURSORS Development

Trianon Caption In Use

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Information

Design

Loïc Sander

Release Date

2021-04-04

Team

Sandra Carrera
Roxane Gataud
Yoann Minet

Version

1.002

Awards & distinctions

Brno Biennale Official Selection 2018
Communication Arts Type Design award 2016
ATypI Typo365 best of 2015
Typefacts Best of 2015
Club des Directeurs Artistiques Prix 2015
Typographica's favorite 2015

About this font

These days, Didot is a typeface known for its bold stems and delicate hairlines, for its prominent ball terminals and decorative italic. These are the showy traits that made the typeface synonymous with glossy fashion magazines and luxury brands. Yet Didot’s family and history are much more complex and varied than our narrow contemporary view. What we’re missing begins with the small stuff — the metal fonts that were cut for sizes as small as 6 pt.
It is that small stuff that is also at the root of Loïc Sander’s exploration for Trianon. He plunged into sources from Firmin Didot’s later work as well as other type from the late 19th and early 20th centuries based on the Rational or pointed pen form model. There he discovered the qualities that are even more essential to Didot than its high contrast: its verticality, its rhythmic spacing, its ability to set readable text — one that encourages and rewards a relaxed pace. A memorable read is not necessarily the fastest, most invisible one. Trianon proves that a Didone can be much more versatile than it is usually assumed to be. Returning to the pre-digital wisdom of size-specific cuts, the family offers four optical sizes: Caption and Text built broad and sturdy for long passages of small type, and Display and Grande which imbue all of the sparkling contrast and sharp, sculpted bracketing of a familiar Didot.

Each subfamily has five weights with matching italics. The Text size comes with one extra weight for those who want paragraphs with a slightly lighter color. And ExtraLight styles bring an entirely fresh effect to Didot with their nearly monolinear weight capped by slab serifs and subtle teardrops. These inventions emphasize the fact that Trianon is not only a restoration of Didot (especially in the large sizes) but very much its own thing.
For Trianon, Sander focused on editorial publishing, where type is primarily a tool for serving content, and where he feels the call to build his own tools. The fonts are replete with useful function for editorial design, including oldstyle figures (based on the classic Didot) and lining figures (cued by vernacular street signs in France), ornaments which fit each font’s contrast and weight, and a large range of weights for building harmony and contrast into a publication’s complex hierarchy.

Formats

Static (OTF, TTF, WOFF, WOFF2)

Language support

Acheron, Achinese, Acholi, Afar, Afrikaans, Alekano, Aleut, Amahuaca, Amarakaeri, Amis, Anaang, Andaandi, Dongolawi, Anuta, Ao Naga, Aragonese, Arbëreshë Albanian, Arvanitika Albanian, Asháninka, Ashéninka Perené, Asu (Tanzania), Atayal, Balinese, Bari, Basque, Batak Dairi, Batak Karo, Batak Mandailing, Batak Simalungun, Batak Toba, Bemba (Zambia), Bena (Tanzania), Bikol, Bislama, Borana-Arsi-Guji Oromo, Bosnian, Breton, Buginese, Candoshi-Shapra, Caquinte, Cashibo-Cacataibo, Catalan, Cebuano, Central Aymara, Central Kurdish, Chamorro, Chavacano, Chiga, Chiltepec Chinantec, Chokwe, Chuukese, Cimbrian, Cofán, Congo Swahili, Cook Islands Māori, Cornish, Corsican, Creek, Crimean Tatar, Croatian, Czech, Danish, Dehu, Dutch, Eastern Arrernte, Eastern Oromo, Embu, English, Ese Ejja, Faroese, Fijian, Filipino, Finnish, French, Friulian, Galician, Ganda, Ga’anda, German, Gheg Albanian, Gilbertese, Gooniyandi, Gourmanchéma, Guadeloupean Creole French, Gusii, Haitian, Hani, Hiligaynon, Ho-Chunk, Hopi, Huastec, Hungarian, Icelandic, Iloko, Inari Sami, Indonesian, Irish, Istro Romanian, Italian, Ixcatlán Mazatec, Jamaican Creole English, Japanese, Javanese, Jola-Fonyi, K'iche', Kabuverdianu, Kala Lagaw Ya, Kalaallisut, Kalenjin, Kamba (Kenya), Kaonde, Karelian, Kashubian, Kekchí, Kenzi, Mattokki, Khasi, Kikuyu, Kimbundu, Kinyarwanda, Kituba (DRC), Kongo, Konzo, Kuanyama, Kven Finnish, Kölsch, Ladin, Ladino, Latgalian, Ligurian, Lithuanian, Lombard, Low German, Lower Sorbian, Luba-Lulua, Lule Sami, Luo (Kenya and Tanzania), Luxembourgish, Macedo-Romanian, Makhuwa, Makhuwa-Meetto, Makonde, Makwe, Malagasy, Malaysian, Maltese, Mandinka, Manx, Maore Comorian, Maori, Mapudungun, Matsés, Mauritian Creole, Meriam Mir, Meru, Minangkabau, Mirandese, Mohawk, Montenegrin, Munsee, Murrinh-Patha, Mwani, Mískito, Naga Pidgin, Ndonga, Neapolitan, Ngazidja Comorian, Niuean, Nobiin, Nomatsiguenga, North Ndebele, Northern Kurdish, Northern Qiandong Miao, Northern Sami, Northern Uzbek, Norwegian, Nyanja, Nyankole, Occitan, Orma, Oroqen, Palauan, Paluan, Pampanga, Papiamento, Pedi, Picard, Pichis Ashéninka, Piemontese, Pijin, Pintupi-Luritja, Pohnpeian, Polish, Portuguese, Potawatomi, Quechua, Romanian, Romansh, Rotokas, Rundi, Rwa, Samburu, Samoan, Sango, Sangu (Tanzania), Saramaccan, Sardinian, Scottish Gaelic, Sena, Seri, Seselwa Creole French, Shambala, Shawnee, Shipibo-Conibo, Shona, Sicilian, Silesian, Slovak, Slovenian, Soga, Somali, Soninke, South Ndebele, Southern Aymara, Southern Qiandong Miao, Southern Sami, Southern Sotho, Spanish, Sranan Tongo, Standard Estonian, Standard Latvian, Standard Malay, Sundanese, Swahili, Swati, Swedish, Swiss German, Tagalog, Tahitian, Taita, Tedim Chin, Tetum, Tetun Dili, Tiv, Tok Pisin, Tokelau, Tonga (Tonga Islands), Tosk Albanian, Tsonga, Tswana, Tumbuka, Turkish, Turkmen, Tzeltal, Tzotzil, Uab Meto, Ume Sami, Upper Guinea Crioulo, Upper Sorbian, Venetian, Veps, Võro, Walloon, Walser, Wangaaybuwan-Ngiyambaa, Waray (Philippines), Warlpiri, Wayuu, Welsh, West Central Oromo, Western Abnaki, Western Frisian, Wik-Mungkan, Wiradjuri, Wolof, Xhosa, Yanesha', Yao, Yapese, Yindjibarndi, Yucateco, Zulu, Záparo

Glyphs

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OpenType Features

Production Type ships OpenType fonts with built-in features such as ligatures, alternates, or pictograms. Here are some of the most important features. To view a comprehensive list of features, please refer to the PDF specimen.

Capital Spacing

UPPERCASE ­

off

Case-Sensitive Forms

[CASE-SENSITIVE] !¡?¿-–—()[]{}‹›«»· ­

off

Small Capitals

Small Capitals ­

off

Small Capitals From Capitals

SMALL CAPITALS ­

off

Standard Ligatures

fichier flicker affliger ­

off

Discretionary Ligatures

Thesaurus ­

off

Historical Forms

History ­

off

Slashed Zero

0123456789 ­

off

Lining Figures

H0123456789 ­

off

Oldstyle Figures

H0123456789 ­

off

Proportional Figures

H0123456789 ­

off

Tabular Figures

H0123456789 ­

off

Superscript

H012345679 ­

off

Scientific Inferiors

H012345679 ­

off

Numerators

H012345679 ­

off

Denominators

H012345679 ­

off

Fractions

1/4 1/2 3/4 ­

off

Ordinals

2a 2o NO No Nº N° nO no nº n° ­

off

Ornaments

+ − ± × ÷ = < > ­

off

Stylistic Set 1

Nonchalance ­

off

Stylistic Set 2

Prodigiously ­

off

Stylistic Set 3

CHICAGO LEISURE ­

off

Stylistic Set 4

012345678910 ­

off

Stylistic Set 5

012345678910 ­

off

Stylistic Set 6

<>+−×÷=± ­

off

Stylistic Set 7

abcdef ­

off

Pair well with Trianon Caption

  • Trianon Caption Regular

    For their “Ones to Watch” series

    Gemeli Micro Bold

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  • Trianon Caption Bold

    For their “Ones to Watch” series

    Granville Bold

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  • Trianon Caption Black

    For their “Ones to Watch” series

    Countach Bold Italic

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Discover the Trianon family

  • Trianon Text

    12 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, Regular, Italic, Regularno2, Italicno2, Bold, Bold Italic, Black, Black Italic

  • Trianon Display

    10 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black, Black Italic

  • Trianon Grande

    10 styles: ExtraLight, ExtraLight Italic, Light, Light Italic, Regular, Italic, Bold, Bold Italic, Black, Black Italic

  • Trianon Normande

    2 styles: Roman, Italic

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    Useful type with an edge.

    Useful type with an edge.

    Production Type provide retail as well as dedicated creative services in typeface design for brands.

    Based in Paris and Shanghai, Production Type is a digital type design agency. Its activities span from the exclusive online distribution of its retail type for design professionals, to the creation of custom typefaces for the industrial, luxury, and media sectors.
    Enquire about custom fonts